György Orbán’s Latin Female Choirs (SSA) provides a premier selection of contemporary choral literature specifically curated for female and equal voice ensembles. This anthology brings together eleven works of roughly equal difficulty, allowing conductors to easily compile and arrange high-quality concert programs from a single volume. The collection includes nine a cappella hymns and two pieces accompanied by piano, featuring notable works like the Four Mary Songs and the Gloria from Mass No. 6.
The music is deeply influenced by the medieval reliefs of the Orvieto Cathedral, resulting in a style that Orbán describes as having a "fascinating placidity" and a "naive, at times ecstatic world". These finely woven compositions offer a sophisticated bridge between traditional Latin texts and modern musical expression, providing a rewarding experience for both performers and audiences. As the first time these pieces have been published in an anthology format, this volume serves as a definitive resource for any choir seeking to master the beauty and clarity of Orbán’s distinctive choral language.
