György Orbán: Alma redemptoris mater in D (SATB, piano)

In this setting, Orbán reimagines the traditional Marian antiphon through a bright, tonal lens in D, balancing liturgical reverence with his signature rhythmic vitality. The SATB texture is supported by a structural piano accompaniment that drives the work’s momentum without overshadowing the vocal clarity. It is a harmonically accessible yet sophisticated piece, offering a transparent and uplifting contemporary option for both sacred and concert programs.